 Artist: Richard Elliot: mp3 download Genre(s): Jazz Discography:  Chill Factor Year: 1999 Tracks: 11  City Speak Year: Tracks: 11 Although he's called a "bland jazz artist," saxist Richard Elliot is as at basis with most rock & wave and the tolerant of classic R&B performed by the mathematical group Tower of Power. For five days in the eighties, he was a heavy character of the classic R&B band's horn-based sound. The Scottish-born Elliot was elevated in Los Angeles, where he quickly became a fan of West Coast classical R&B. Elliot landed his number 1 job piece noneffervescent a teenager with Natalie Cole and the Pointer Sisters. A few years subsequently, he was tapped to record with some of his idols from Motown Records, which had resettled from Detroit to Los Angeles. In the 1970s, he had the probability to record with Smokey Robinson, the Four Tops, and the Temptations. Elliot was later tapped to record with the Yellowjackets on their instant album. After touring with Melissa Manchester for a time, he was asked to become a full-fledged member of the Tower of Power horns in 1982. He stayed with the mathematical group until 1987 and looks back fondly on those old age for they shaped the vogue he has today. When he's non playing his over hundred dates a year, Elliot pilots a small aircraft and is spouse in PacifNet, an Internet multimedia system company that develops websites for the music and entertainment industries. Elliot's nine albums under his have key out include his self-generated Cityspeak (1996); After Dark (1994); On the Town, (1991); Power of Suggestion (1991); Study to the Skies (1991); Trolltown (1991); What's Inside (1991); Initial Approach (1984); and Psyche Embrace (1993) all for Blue Note/Capitol Records. Two albums he had recorded for the now-defunct Enigma were re-released on Capitol. His 1993 record album Soul Embrace rocketed to the cover of the Billboard modern-day jazz charts, and though Elliot has a smooth jazz good that could be compared with Kenny G.'s, albums wish 1999's Pall Factor prove his fill on contemporary malarky is more than unwaveringly rooted in tradition. |
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